Rock 'n Roll Woman

Start with these three chords on the piano:

'F' Maj. , 'G' Maj. , 'a' min. , and back to 'G' Maj.

Next, add the vocal line on top:

Harmony (parallel lines/pitches) can be added to that monophonic top vocal melody line (phrase):
'F' Maj. , 'e' min. , 'C' Maj. , 'd' min. (etc.)

That actually is the guitar riff / vocal theme of "Rock 'n Roll Woman."

That song appears on the 2nd album of the Buffalo Springfield. David Crosby had a big hand in writing it, along with Stephen Stills. I could be wrong, but I think David Crosby wrote that catchy, transcendant riff/theme/hook, but Stephen Stills wrote the rest of the song around that -- particularly vocal melody, lyrics, and bridge.

The bass line (left hand) alternates between F and D.

The harmonic structure can be analysed as alternating between 'F' Lydian mode, and 'd' dorian mode. This serves as an example of the influence of Jazz (Impressionistic / Modal) harmony on David Crosby, interestingly.

I.J. keyboard harmony instructional video: "Rock 'n Roll 3 chords"

Perhaps it is better to (first) approach this in terms of
monophonic lines (phrases) one-pitch-at-a-time

and see how they layer on top of one another, to create harmony:

View a slide presentation (G docs) showing the 4-note figure, layering

Perhaps it is easier to read notation if the chord voicings are distributed over two staves (like the grand staff of two-hand piano notation):

So, given the bass lines ('F' moving to 'D', and then back, in a cycle/pattern) --
Each hand can play one individual triad (or 7th chord) at a time -- and this will create compound chords/harmonies. (These should be vocal parts/lines/phrases, by the way.)

Here are 11th chords, distributed between two hands (staves):

Maybe those same notes are easier to read, if notated one octave (8vb) lower:

15th chords ! :

Maybe that's going too far, harmonically.
Instead, don't go beyond 13th chords ...

Those are thick, complex harmonies. (Lots of stacked (harmonic intervals of) 3rds.)

Maybe it would be helpful to include an explicit sharp (courtesy accidental) for every single time a black key is pressed ...

However, it seems (Stephen Stills) used the "D7" chord, when the bass (harmonic root) is on 'D'
(but not when the harmonic root pitch (bass) is on: 'F' -- in which case the chord could be 'F'(_natural) Maj.7 or 'd' min.7).
The "D7" ('D' _dominant_ 7 chord) includes "F#"
and F# is a raised 3rd degree, above the root pitch of 'D'
Whereas, 'F'_natural is the lowered third degree above (a root pitch of) 'D'.

Stephen Stills added a bridge, which consists of -- essentially -- two chords:
'a' minor (7?) to 'D' Major (triad) : ||

A Previous harmony lesson could be the one about the song titled: "Ye-Me Le"

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